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Article :: Creating Transitions with Blends in Adobe Illustrator CS4
Computers can be real timesavers. For example, instead of having to draw all the in-between objects to morph one shape into another, you can make Illustrator do the work. Mordy Golding shows off some of the fun and useful transitioning capabilities that Illustrator offers with its blending features. |
Article :: Making Transformations in Adobe Illustrator CS4
The best part of drawing on a computer is that you rarely have to start over. Whether you've changed your mind about an angle or you drew a bunch of repeated objects too small (oops), Illustrator makes modifying your artwork very easy. Mordy Golding discusses how to use Illustrator's transform capabilities to manipulate any number of objects onscreen. |
Article :: How to Create Basic Shapes in Illustrator CS
Many objects in the Adobe Illustrator program can be created by starting with basic shapes and then editing them to create new shapes. In this lesson, you'll use some basic shapes to create a logo. Along the way, you'll learn how to use tools and commands to create basic shapes, copy and combine objects to create new shapes, paint objects, and more. |
Article :: Tips for Drawing with Brushes in Illustrator CS2
The heart of Illustrator is the ability to define vector paths, usually using the Pen or Pencil tool. The paths can have an infinite variety of fills, stroke properties, and other effects. Among these effects is an amazing variety of brushlike stroke attributes. In this chapter, you'll learn how to draw with brushes; create calligraphic, art, and scatter brushes, and more. |
Article :: Real World Tips For Using Illustrator's Objects, Groups, and Layers
Just as there are benefits to keeping an orderly desk, there are advantages to using groups and layers for adding structure to your files. In Adobe Illustrator CS2, groups and layers not only offer a convenient way to manage objects in a file (as they did in earlier versions of Illustrator), but now they can also control the appearance of your file. Find out more in this informative chapter by Mordy Golding. |
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